Howzit to all 21 new readers who've joined this week! Hello everybody, and thank you ever so much for joining me again for this issue of Saturday Selections. Recently, I spent a few days in Vienna and decided to devote two of them to photographing in a style inspired by Stephen Shore. This was before meeting up with a few others from the TPE tribe for a weekend photo walk. I conducted this experiment to explore the outcomes of imposing limitations on my photography. With a 50mm lens at f/4.5, I approached the shoot with the mindset of Stephen Shore. At first, it was quite fun. I found myself taking photos of things I normally wouldn’t look twice at. But over the course of the two days, two interesting things happened. First, I had to consciously stop myself from shooting in my usual style. And that was surprisingly difficult. I was in a completely new environment—exactly the kind of place I’d usually love to photograph freely—so holding myself back felt a little strange. The second thing that happened was even more curious. Looking back at the photos I made during those two days, I’m not entirely sold on them. At the time, I was trying to convince myself they were pretty good. But in hindsight, they don’t really gel with me—especially after I met up with the others and began photographing in my usual way again. That’s when things started to feel more natural and in sync. What I learned from this is that while it’s valuable to explore new approaches, in this case I went about it the wrong way. I was trying too hard to photograph exactly like I imagined Stephen Shore would. But perhaps a better approach would have been to ask: what is it that I like about his work? What feeling do I get when I look at his images? And how could I carry that feeling into my way of seeing? Oh—and while I was in Vienna, I got an email from Obie Oberholzer. In it, he shared something a well-known art buyer once told him about the most important element in any photograph. But that’s a story for next week. The PDF List The list continues to grow with all of your wonderful contributions! Here’s how you can help:
Once I’ve gathered enough recommendations, I’ll share the finished PDF in an upcoming newsletter. Let’s build something that inspires us all to see photography and the world differently. 2025 Photo EventsThe Boston walk is sold out. There will be some more trips planned for this year.
Photographer(s) Of The Week
|
Weekly Challenge
The last challenge was to upload images inspired by Stephen Shore.
I recorded a video on those here:
Thanks to everyone who uploaded images!
This week, showcase your local city or town - be creative and show us what makes it unique.
Upload the images here https://www.picdrop.com/tpe/CFuXGhhyX3
A long chat about street photography and the people who we end up photographing
Get a seven-day free trial, which includes classes and previous interviews with professional photographers here
Thanks so much for taking reading along. Have a great weekend.
Alex
I'm Alex, the creator of 'The Photographic Eye' on YouTube, sharing my 30-year photography journey. I'm here for photographers who want to think differently about their craft. Every Saturday, I send out 'The Saturday Selections', a newsletter with a unique, actionable insight to help you approach photography as an art, not just a skill. Ready to see photography in a new light? Join 'The Saturday Selections' and let's redefine your photographic eye together.
Howzit! I was editing my latest video this week—the one about why some photos just feel magical—and it got me thinking about something that's been bothering me for years. You know that moment when you're looking through your old photos, and you come across one that's technically perfect? Sharp focus, proper exposure, textbook composition. But as you stare at it, you feel... nothing. It's fine. Maybe even good. But it could have been taken by anyone, anywhere. There's no soul to it, no story,...
Howzit, This past week, I’ve been talking with photographers again — some in the TPE Tribe, others who reached out after watching my latest video. And one thing keeps coming up: “I know how to take a sharp photo. But I don’t feel anything when I look at them.” Sound familiar? You’re not alone. A surprising number of photographers — especially those who’ve been doing this for years — are quietly asking the same question: Why does my work feel hollow, even when I get it technically right? It’s...
“The camera sees more than the eye, so why not make use of it?” – Edward Weston The Photograph I Wish I’d Taken Last week, while putting together the Friday roundup of my favourite photographs from the TPE tribe, one image stopped me in my tracks. It made me wish—deeply—that I’d been the one to take it. Mark Scheuern There are certain subjects I’ve always felt drawn to, and two of them are urban environments and industrial frameworks. So when I saw this photograph by Mark, it hit me hard....