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Howzit everyone! The Main Frame:Not long ago, a member of the TPE Tribe asked for feedback on his photos. Again and again, people told him: “Your images need more focus.” At first, he thought they meant sharpness. You know — the technical kind of focus. But the feedback wasn’t about whether his lens was locked on properly. It was about something harder to pin down: clarity of purpose. And that distinction is one many photographers struggle with. I know I did. In the early days, I thought that if I pointed my camera at something beautiful, the photo would automatically be beautiful too. But as most of us eventually discover, it doesn’t work like that. To explain this, let’s borrow an image from the stage.
Without that script, you might have everything sharp and clear, but the play is just people wandering around aimlessly. And photographs can be the same. Let me show you what I mean. Same Place, Different PhotographsTake Cambridge, just down the road from me. It’s full of world-famous views — the backs of the colleges, the bridges, the punts drifting down the river. Thousands of photographers stand in the same spots every year. Yet the photos they walk away with can feel radically different. Here’s one example. In the first photograph, you see a bridge placed neatly in the center, leading lines pulling you in, and some pleasant light streaming through the trees. On paper, it checks a lot of boxes: symmetry, composition, strong shapes. And yet… it feels a bit empty. Technically fine, but lacking something deeper. There’s no clear sense of what the image is about. The bridge is there, yes, but it doesn’t feel like it has anything to say. Now, compare it to another photograph taken from the exact same spot. This time, there’s a single punt gliding across the river. That one choice changes everything. Suddenly, the empty water becomes a stage for stillness and solitude. The river isn’t just blank space anymore — it carries the weight of the mood. The bridge leads you in gently, and your eye meanders through the frame, supported by details that all whisper the same message: calm, quiet, serenity. Same place. Same bridge. Almost the same frame. Yet one image feels flat while the other feels alive. Why? Because in the second, the photographer made a decision: this is what the photograph is about. How to Test Your Own PhotosSo how do you know if your photos have this kind of focus? Here’s a simple test I use: If you can say, “This is about the serenity of the river” or “This is about the busy energy of the punts,” then your photo has direction. If you find yourself hesitating or saying, “Well, it’s just everything in the frame,” then maybe the image is missing that clarity. You can also try the finger-point test: show the photo to someone else and ask them, “What’s the most important thing here?” If they all point to the same spot, you’re on track. If their fingers scatter in different directions, the image might lack focus. The Big LessonSharp focus makes a photo clear to the eye. Creative focus makes it clear to the mind. So next time you’re out with your camera, don’t just ask yourself: “Is this sharp?” Ask: “What’s this really about?” Inspiring Me This Week:Michael Kenna One photo might be about stillness, another about form, another about shadow. Kenna shows us that clarity of focus isn’t about where you stand, but what you choose to see. Inside the Tribe:Here is an in-depth chat we had about this topic last Wednesday in the Tribe |
I'm Alex, the creator of 'The Photographic Eye' on YouTube, sharing my 30-year photography journey. I'm here for photographers who want to think differently about their craft. Every Saturday, I send out 'The Saturday Selections', a newsletter with a unique, actionable insight to help you approach photography as an art, not just a skill. Ready to see photography in a new light? Join 'The Saturday Selections' and let's redefine your photographic eye together.
Howzit everyone! Hope you're all having a fantastic weekend. I recently spoke with some people from the TPE community, and we discussed the idea of light in our photos. How people often complain about 'Bad' light, or fantasise about 'Great' light.For a long time, I felt trapped by those concepts - being told, for example, never to take a photo in the harsh midday African sun. The truth is, there isn't good or bad light, but there are good and bad ways to shoot in it. I'd like to share with...
Howzit all!Hope you're having a great day The Main Frame: Earlier this year, I was visiting a friend. One morning, she was making pancakes for her daughter, and I watched with complete fascination. She took out a recipe, a set of measuring cups, and all the ingredients. I watched her carefully scoop the flour into the cup, level it off with the back of a knife, measure the milk precisely, crack the egg, and then mix everything for exactly the amount of time the recipe told her to. For her,...
Howzit!I hope you’re doing well. I’ve been busy behind the scenes working on something exciting for the TPE Tribe — but before I share that, I wanted to ask you a quick question. If you want to take your photography to the next level in 2026 — to become more creative, more confident, and more intentional with your images — keep reading. I’ve been putting together a brand-new Photography Success Path (starting in December) specifically for members of the TPE Tribe.This Saturday, I'll share...